for winning the copy of the Dead Man and the Restless Spirits by Lou Harper. I’ve already emailed Elske, so she should already have received my email, but if not, please email me at armchairreader[dot]coleriann[at]gmail[dot]com so you can get your book. Thanks for playing everyone and thank you all for stopping by and commenting on my interview with Lou Harper!.
Title: Dead in L.A. (L.A. Paranormal #1-2)
Author: Lou Harper
Publisher: Self Published (Harper Books)
Length: 28k words
Genre: m/m Contemporary Mystery Romance
Heat: 3 – Sexy & Mild
Sex Frequency: 2 – Few and Far Between
Keywords/Tags: Series, Psychics, Past Trauma, Roommates, Friends with Benefits, College, Art, Grieving Character, LA, Secrets and Lies, Guilt, Opposites Attract
Rating: Really Liked It
Trouble comes in deceptive packages
Still recovering from an accident that left him emotionally and physically battered, Jon’s goal is to lead a simple life, free of complications and attachments. His new roommate—a happy-go-lucky bookworm—seems to fit into his plans fine at first. He doesn’t find out till later that Leander’s also a psychic, specializing in finding lost pets. Jon’s a skeptic when it comes to the supernatural, so he’s convinced Leander’s a nut job.
Jon’s beliefs are challenged when Leander has to track down a missing teenager and he ropes Jon into assisting him. Soon the two of them are knee-deep in a decades-old murder case. The hills and valleys of the City of Angels hold many buried secrets, and Leander has a knack for finding them.
Jon’s hopes for a trouble-free life go out the window as he’s drawn deeper into Leander’s psychic sleuthing. Digging into the past poses many dangers, but the biggest risk Jon faces is putting his bruised heart on the line.
Warning: Men loving men, skeletons, and an unlucky Chihuahua.
Dead in LA is the book that shows just how economical Lou Harper’s writing is. It surprises me even now to write that this book of two stories is only 28k words simply because my memory from reading it is how full of plot and detail it was. Of course it depends on your style and preferences, but I always admire an author who can get their word across without a whole lot of words — I’m the exact opposite! As you might have noticed and indeed bemoaned from my incredibly wordy reviews 🙂
Both of these stories, “Dead in the Hills” and “Dead in the Valley” focus on a separate mystery while the overall arc of the story that connects them is the building relationship between Jon and Leander, two completely fascinating characters! I say that because at this point (after reading the first two stories and waiting for the rest to come) I still feel them on incredibly shaky ground, no matter how far they’ve come from their beginnings as roommates in “Dead in the Hills”. And they, in so many ways, are an opposites attract story, not in a sortof comically stereotypical way (like… the twink and the cop or something) but simply because when I first started reading this book I thought… wait, is Leander really going to become Jon’s romantic interest? I just couldn’t see it. It wasn’t until after they were firmly established as friends with benefits (or roommates with benefits) that they both really started to open up for me as characters and I could see past their superficialities. Jon is an art student, but of course in a completely responsible way (art advertising) that he might not have ever really gone in to anyway, and Leander is a psychic who finds things that people have lost. Now, sometimes those are puppies (like the “unlucky Chihuahua” LOL) and sometimes those are missing people. Jon has a hard time at first believing in what Leander does until he offers his roommate a ride to a job and sees it for himself, not only the accuracy of Leander’s visions but what it also does to him. His ultimate understanding of Leander’s job is what slowly softens him to Leander’s charms, even through all of the trauma and guilt that Jon still has after his wife’s death.
Dead in LA was probably one of the most enjoyable books I’ve read this year, and in some ways that’s because of the mysteries and in others the relationship. The relationship is also what makes this book like a really early part of a series. Of course, these are the first two stories in this series, but what I mean is that by the end of both there’s still a great deal of uncertainty about their relationship and a lot they’ll need to work through. Both of these stories, for me, were really about getting to know the characters individually and that makes me even more excited for the coming ones, because I get to see more about where their relationship will progress.
This book also shows how well the episodic mystery format is working for Lou. Making the mysteries somewhat shorter allows for more possible directions for the story to go because we, as readers, aren’t completely committed to a long mystery plot while the characters are growing with their relationship. That is what makes the next stories in this series exciting to me.
Also, a note about the cover, which I really love. Lou mentioned that it doesn’t really scream romance (which is true) but that it does really highlight that these are mysteries. That works well for me with these two stories — the cover seems aligned with how I feel about them in any way — but also, I think that the lack of a naked torso makes your book stand out in new ways these days, when I feel like most others I’ve heard from… we’re just tired of those covers.
Posted by Cole in 16-40k, 5 Really Like It, Authors G-I, Contemporary, Heat 3 - Sexy & Mild, Mystery, Romance, Sex Freq 2 - Few and Far Between Tags: Artists, California, College, Episodic, Friends with Benefits, Grieving Partner, Guilt, LA, LA Paranormal, Lou Harper, Lou Harper Week!, Opposites Attract, Past Trauma, Psychic, Roommates, Secrets & Lies, Self Published, Series
Title: Hanging Loose
Author: Lou Harper
Publisher: Self Published (Harper Books)
Length: 37,026 words
Genre: m/m Contemporary Romance
Heat: 3 – Sexy & Mild
Sex Frequency: 2 – Few and Far Between
Keywords/Tags: GFY/OFY, Drug Use, California, Old Hollywood, Surfer Dudes, Secrets & Lies, LA, Roommates
Rating: LOVED It!
When you fall in love, it can’t all just be hanging loose…
After graduating from art school Nate left the Midwest for sunny Southern California, not quite sure what he hoped to find. It was almost certainly not falling in love with another man. His whole world and assumptions about himself begin to slowly turn upside down on one hot summer day. Seeking respite from the heat and his loneliness at Venice Beach he has a chance encounter with a handsome blond surfer.
Jez is friendly, easygoing, and just a little bit mysterious. Openly gay, Jez offers Nate a place to stay, and the two men become fast friends. Nate makes new friends, adjusts to his new life, but his unbidden attraction to Jez keeps growing. In their moments of closeness Nate realizes that he wants Jez more than just a friend, but it might be too late. To make Jez his, Nate has to face not only his own fears and insecurities, but his mysterious mate has secrets of his own.
Warning: Al fresco man-love, a scene-stealing old coot, and a relentless California sun.
Though this was Lou Harper’s first published book and the first one I ever bought of hers, it lingered in my vast online library for just under two years before I decided to start reading her backlist. You could say I caught the bug to read all of her books after reading and falling in love with Harvey and Gabe (and Denton too) in Spirit Sanguine, and that unexpected review of such a wonderful book is what made me decide to go back and read this one. It didn’t hurt, of course, that I’d only heard good things about it.
What I found when I read it (and this was the first one I went back and read), was not only that Lou had started out with some pretty good characterization under her belt but that I really liked her style. I get really upset when I so often read books that end preemptively, just when things are getting good. The best ones are where the couple plods along and you don’t just get to see the honeymoon phase but what their lives are like as an actual couple and how they deal with that. That’s what makes a real romance in my opinion, and I’ve found that the more romance I read over the years that I really need that in a contemporary romance where the central plot is the romance. That’s what I really liked about this book — it didn’t seem to follow a typical romance plot structure, which meant that it kept me on my toes.
Hanging Loose starts with Nate, a new transplant to LA. He’s unfamiliar with the way the city runs, the weather, navigating public transit, which leaves him on Venice Beach and night without a jacket and miserable. He’s approached by Jez, and while initially wary, agrees to his invitation to stay at his home. The two get to know each other and eventually come to a roommate agreement. What follows is is a pretty standard GFY, or maybe more accurately OFY story (more on that in a bit). Nate is straight and Jez is openly gay. They become pretty good friends as Nate settles in and they come up with a routine. Nate starts to make friends, one of which is the old man Jez bakes for and spends time watching over. But Jez is mysterious in a few ways. One is the attraction between the two, which Nate takes a while to understand and Jez is of course, wary of, being that Nate has until now apparently not been attracted to men. The rest is Jez’s romantic history and his family history and the tales of Old Hollywood passed down from his grandmother Adelle.
Lou mentioned in her interview with me earlier this week about the reason she first wanted to write and publish this story:
I started writing Hanging Loose after reading a GFY story I didn’t find convincing. To me, the core of the story is that sexuality is complex and there are many shades between straight and gay. Following the character’s journey coming to terms with his own nature and desires was what I wanted to explore.
That’s always been a problem for me as well, that a GFY story done right needs a depth of character study to keep the realism instead of knocking me out of the story. But I didn’t know her feelings yet when I started reading Hanging Loose, so I wasn’t sure what to expect. What I found was a really interesting dynamic between Jez and Nate as they first get to know one another. Right away, just in the first few pages when Nate meets Jez, he feels a little tingle of connection between them:
“I’m straight,” I blurted out at last. There was a tiny voice deep down telling me I was full of shit. I gagged it. I felt myself blushing in embarrassment as soon as the words left my lips. I didn’t even know why I just assumed he was gay…
“I won’t hold it against you,” he said, smiling…
That dynamic made it more plausible later for Nate’s sexuality to be more fluid than originally expected and I liked how Lou made that issue ultimately intersect with Jez and his history and his own secrets that he’s keeping from Nate, who in a way becomes the aggressor the future into the book you read.
This is really a “Loved It” book for me — I was with it and totally engaged through the whole read — so I don’t have any criticism at all. For a novice writer this book was simply wonderful. There’s a lot more that I really loved about this book, but in effort not to spoiler you about some pretty significant pieces of the book, I’ll mostly leave those alone to say that I thought the last 35% or so of the book was where the characters really shined… when everything is finally out in the open. One of the relationships I love the most in the book is Nate’s friendship with Arthur, which was ultimately what tipped this book up in the 5 star rating for me. I thought it was portrayed beautifully and aligned well with Nate’s development.
So, by all means do I recommend this one. Going back and reading this book wasn’t just something that I had always wanted to do but really it cemented Lou’s talent in my mind and made her forever an author that I’ll cheer on and get excited about.
Posted by Cole in 16-40k, 6 LOVE IT!, Authors G-I, Contemporary, Heat 3 - Sexy & Mild, Romance, Sex Freq 2 - Few and Far Between Tags: California, Drug Use, Drugs, GFY/OFY, LA, Lou Harper, Lou Harper Week!, Old Hollywood, Roommates, Secrets & Lies, Self Published, Surfer Dudes
*Click the covers to be taken to the story/purchase info. Further info at the bottom of the post.
**”On the Stoop”, the DSP Halloween Howl story, is currently unavailable.
When I decided to review Kate McMurray’s backlist, I wanted to make sure that I didn’t forget any shorts. And while there aren’t many, when I did start making my list of the books I needed to read and to re-read, I decided that I’d go ahead and just do all of them. There are a very short list of short stories, most of them free. So, at the very least this is a good place for someone unfamiliar with this author to decide if they like her style and writing.
Also, I find it interesting to read short stories written by this author, who is definitely more well known for her novels. Both Kindling Fire for Snow and her newest, Save the Date, are shorter than most (the first at around 20k and the latter at around 33k words), but they aren’t really short stories either, which is a completely different style of writing in some ways. Some authors are terrible at writing shorts but write completely incredible novels, and vice versa. Of course, that’s mostly in the literary genre because short stories are much more valued there, but I always find it interesting to see how an m/m author I like transitions to writing shorts. And even though I’d read quite a few of Kate’s books, I had surprisingly read none of her short stories.
I started with the two that I already had: A Walk in the Dark (part of the 2011 Dreamspinner Advent Calendar) and Lead Us Not (one of the M/M Romance Group’s 2012 Love is Always Write stories). And… I can’t believe it but I loved them both. In fact, I think that this might be where Kate’s background in literature and literary fiction (mostly as a reader, as she said in her interview with me two days ago).
A Walk in the Dark tells the story of Jared’s unrequited love for his best friend and roommate’s boyfriend Brandon. Rex, Jared’s roommate, is a bit of a player, but in the way only best friends can still loves him and sees his good qualities no matter how much he hates seeing the guy he loves being dicked around and very possibly cheated on. I thought that the story did what it really needed to without giving us too much more, which is one of my biggest problems with short stories — when they try to be novels in disguise. The characters came through for me in a real way because of the awkward position they’re in and the story is good for the season, a sweet HEA for Christmas. I give it a Pretty Good.
Lead Us Not was really the surprise for me. I remember seeing the prompt that Kate chose and looking forward to reading the story, but somewhere in there I missed it and haven’t thought much about it since then. The prompt asks for a story about two actors and boyfriends who’ve moved to NYC to pursue their dreams and the temptations they face in order to get to their HEA. The story Kate gave us was simply beautiful, in emotion and in craft. Written in alternating first person between Sam and Jess, they each tell us about their own lives in NYC and how they’ve grown and moved from the naive boyfriends who moved there several years ago, two of them against the world. They recount how their lives have started to diverge and how no matter how much each still loves the other, how much doubt can harm a relationship. The temptations offered are in the form of two other guys, catalysts who seem to be a sounding board for all of their doubts about themselves, each other and their careers, which for both are going in directions they never really expected. The beauty of the story is how Kate shows us such a sweet love story without pulling punches. It’s a much more true to real life story than many sugarcoated fantasies in the romance genre and that gave it a real ring of authenticity that makes their hard-won HEA really worth it. I’ve only given Kate one 5-star review in the past, for Out in the Field, but this is my second. I Loved It. And it’s free!
The remaining two stories are both free stories. “In December My Heart’s Full of Spring” is currently available for download and read here, on Kate’s website. “On the Stoop”, the story that was released in October as part of the Dreamspinner Halloween Howls, is currently unavailable from their website, but is also up for download at Kate’s website.
Both stories are much shorter than the previous two. “On the Stoop” is the story of a recent transplant to NYC from St. Louis, a man who seeing the differences between Halloween celebrations in New York are different from his childhood in the suburbs in the midwest feels that they only reflect how out of place he feels. When he meets a cute guy sitting on his stoop in his neighborhood handing out candy to passing kids, he sits and talks and finally feels like he’s made a friend, or something more that could give him hope that he could call the city home. This was a cute, no-sex story. It’s quite short and doesn’t have a whole lot going on, but I still felt like Adrian was developed well for a story of this length. Because there isn’t a whole lot going on, I couldn’t really love it, though it was a nice read. So this one gets a cute So So 😉
And lastly, “In December My Heart’s Full of Spring” is the story of two men who meet at the top of the Empire State building on a lonely Christmas Eve. Both are at low points in their lives and seeing an old friend who they hadn’t seen in years gives them the energy to get through the night together when they thought they’d have to spend it alone and depressed. That night leads to a bonding between the two of them and eventually, more… I felt similarly about this story as I felt about “On the Stoop”, though where that story had less actual plot, I felt like this story actually had quite a bit going on. If Goodreads is right and this was made available (in whatever form) in 2009, that makes this one of Kate’s first public stories. I could see some of that in the writing. Perhaps the meeting atop the Empire State Building is a bit cliché, but the story quickly moves on and developed two really good characters, which showed me that Kate has a natural talent for writing realistic characters, even if her writing might have improved some over the intervening years. This one gets a So So as well.
For anyone interested, Dreamspinner recently published a free sequel short about Four Corner characters Jake and Adam’s anniversary on the DSP Blog, called “Shortstop.” I talked a bit about it (it’s cute!) in my review of Four Corners the other day. Here’s the link for anyone interested in read it.
Well, sadly that ends Kate McMurray Week 😦 I hope all of you enjoyed taking a tour through her books with me and also enjoyed our interview on Thursday. Remember, comment on the interview before Midnight, Tuesday June 11th for a chance to win a copy of her book, Save the Date!
Next Up: I do the same with Lou Harper the last week of June. I’ll be reviewing her entire backlist and interviewing her as well as talking about her upcoming book, Dead Man and the Restless Spirits, about Denton from Spirit Sanguine, available on June 25th. I hope you’ll join me for that!
Posted by Cole in 3 So So, 4 Pretty Good, 6 LOVE IT!, Authors M-O, Contemporary, Heat 1 - Sweet/None, Heat 2 - Romantic & Tame, Romance, Sex Freq 1 - None, Sex Freq 2 - Few and Far Between, up to 15k Tags: 2012 - Love is Always Write, Actor, Best Friends, Christmas, Dreamspinner Press, DSP Halloween Howl, Existing Relationship, Free Reads, Grief, Halloween, Kate McMurray, Kate McMurray Week!, M/M GoodReads Group, Models, NYC, Previously Online Fic, Self Published, Short Story, Unrequited Love
“The main characters had no chemistry together.”
One of the most damning sentences that any creative artist can read in a review. I don’t care if you’re an author, or a scriptwriter, or a producer—the words make you cringe, and strike fear deep in your heart. Lack of chemistry between your lead characters can turn a potential blockbuster or bestseller into a mediocre mess. The opposite is true as well—if people like your leads and love the interaction between them, then they will forgive you just about everything. Plot holes the size of Detroit, incorrect grammar, inconsistent POV…none of it will matter to the reader who loves your characters. The majority of those enthralled readers simply will not see these problems in the first place.
I came across these words recently in reference to one of my stories, and I have to admit, I did a classic cartoon double-take when I saw them. Hey, my flaws as a writer are legion, but people usually like my characters!
How could they have no chemistry together? What about that scene in the basement, that fairly crackled with sexual tension? Or when they are pressed up against the wall—and they can hear someone else on the other side engaged in the same activity?
Granted, one person’s idea of smokin’ hot is another person’s idea of tame, so I usually take statements like this for what they are: one person’s opinion. But this time, I got to thinking about how someone could fail to see the unwilling attraction and heat between these two characters—and then it hit me.
They didn’t fight with each other.
They didn’t yell or throw things. They didn’t slam each other into the wall, or punch each other out. They didn’t say terrible, nasty things to each other. No whisky bottles were shattered, there were no slamming doors, no one peeled out of the driveway with a squeal of burning rubber and a desire to do self-destructive things.
I find the idea that these things are necessary to show ‘chemistry’ a disturbing trend in romantic fiction. Now, mind you, I understand how difficult it is to tell a story without introducing conflict. It’s conflict that makes for drama, that engages the reader and draws them in. One of the hardest things any television show can do is successfully maintain audience interest once the UST been the lead characters has been resolved. I can only think of a handful of shows that did it well. Why? Because happy couples make for nice endings, not interesting story-telling.
But to me, there’s a big difference between bicker and banter. I’ve seen bickering couples in real life; they’re no fun to be around. Banter, on the other hand, sucks me in every time. Take Castle in the early seasons. Okay, pretty much an unbelievable premise. But because the dialog was so clever and because there was clearly chemistry between the actors, I suspended disbelief and fell in line whole-heartedly with the series.
There’s a scene where Castle and Beckett are standing in a hallway, about to knock on the door of a witness. As Beckett knocks, Castle says something about inspiration. Beckett glances at him with a sly smile and says, “I thought I was your inspiration, Castle.”
“You are, you are,” Castle hastens to assure her.
“Well be careful,” she says, still smiling slightly. “You might find that inspiration will strike you sooner than you think.”
It’s witty, and clever, and she is obviously teasing him, even as she is still being dismissive of his presence in her investigation. It was dialog like this that made me a Castle fan. Well, that and Nathan Fillion.
Banter is teasing. It can be exasperated, but it is seldom irritated. It’s a quick, snappy trade of one-liners that should have the reader following the thread of conversation like a sports fan at a tennis match. It can be slightly mean, but it is never angry or aggressive. It worries me that aggression is so often seen as attraction in fiction or entertainment. I don’t want to live my life like a soap opera, and my characters don’t want to love like that either.
What’s wrong with depicting healthy relationships?
Nothing, except from a writer’s perspective, it’s a heck of a lot harder. To me, it’s a bit of a cheat to make your characters angrily and abusively attracted to one another for the sake of dramatic effect unless you’ve laid out the background for why these people are so damaged in the first place. And then, if you want me to believe in their True Love at the end of your story, you have to show me that they’ve worked through these issues. You also have to show me why they are worth the effort. Telling me that they are so unbelievably hot doesn’t cut it.
There was an episode of CSI: Miami in which Joe Flanigan played an abusive boyfriend that was a suspect in a murder investigation. It turned out that his girlfriend was not the victim of the murder, and he was cleared to go. However, Horatio tried to convince the woman to press assault and battery charges against him. She refuses, looking doe-eyed and helpless as she walks over to Flanigan, where he is seated on a bench, wearing handcuffs.
Joe Flanigan is incredibly hot anyway, but in this role, with his smoldering anger and his three day stubble—he could have carried the part based on his looks alone. His character has beaten this woman, has threatened to kill her, but she won’t leave him. He’s good-looking enough that as an audience, we would have bought it right there. But when she sits down beside him, this man who’d frightened her so badly that she’d run away from him, turns to her and gently presses his lips against her bare shoulder. For the first time ever, I could understand how someone could stay in an abusive relationship. I got it. But only because Flanigan made me believe it.
But it was not a healthy relationship. It was clear from the start that Flanigan’s character was a bad guy, if not THE bad guy. Lest you think I’m not about Bad Boys, let me tell you, some of my favorite characters are Bad Boys. I adore the Tortured Hero. More than anything, I love watching his path to redemption through finding love with the right person.
And I don’t think fists need to fly for sparks to fly.
Sarah Madison is a veterinarian with a busy practice, several cats, a large dog, an even larger horse, and a very patient boyfriend. She writes M/M erotic romances in her copious spare time and relies heavily on the smoke detector to tell her when dinner is ready.
David McIntyre has been enjoying the heck out of his current assignment: touring the Hawaiian Islands in search of the ideal shooting locations for a series of film company projects. What’s not to like? Stunning scenery, great food, sunny beaches…and a secret crush on his hot, ex-Air Force pilot, Rick Sutton.
Everything changes when a tropical storm and engine failure force a crash landing on a deserted atoll with a WWII listening post. Rick’s injuries, and a lack of food and water, make rescue imperative, but it takes an intensely vivid dream about the war to make David see that Rick is more than just a pilot to him. Will David gather his courage to confess his feelings to Rick—before it’s too late?
“Books are never finished, they are merely abandoned.” — Oscar Wilde
I decided to self-publish over a year ago. I had a few different reasons, one of them being that I was lucky enough to have amazing cover art created for me that I did not want to let go of. And, at the time, the fact that I’d be in control of any deadlines (or lack thereof) seemed like it would be less stressful than having those imposed on me, what with the day job and other side-jobs also filling up my life.
I may have been wrong on that less-stress part.
I’m nitpicky. Especially about my own work. And as a self-published author, I realized that everything would come down to me—the cover art, the font I chose, the layout, the formatting, each chapter, each sentence, and each individual word. So while I had the benefit of not giving myself a deadline, I also did not give myself a place to stop.
I attacked Social Skills on a larger scale at first, for things like pacing and overall cohesiveness, and had several betas to help me through that process. My work is most certainly the better for it, and I would never tell any author to skip or speed up this step. How many betas you work with might vary, but the way I approached it was to keep going until I found some “dissenting views.” Though I didn’t necessarily use every change my betas suggested, I was at least informed on different viewpoints and prepared for my story to be interpreted in different ways.
Once that was through, I began the smaller-scale revisions. This is still a crucial step for any author. I worked on word choice, paragraph and sentence flow, and crisper dialogue. Again, my work is the better for it.
But then I started going sub-atomic on my manuscript. I’d sit and stare at my screen for hours, rereading a paragraph, or even just a sentence. I’d rearrange words, change them back, then rearrange them again. I’d IM my husband with random out-of-context snippets and ask him which one sounded best (and the poor thing always humored me). I’d bug my writing friends and betas, usually with the lead-in of “I know I’m being nuts, but could you tell me if I should switch this word for that one?” Then after I’d made any change, I’d second and third and fourth guess myself. Was I sure I wanted to do that?
I’d say this went on for…at least five months. Meanwhile, my friends who’d heard my “I’m going to publish a book” tale were beginning to question why it was taking so long. “Weren’t you almost finished?” they’d say. “You were only going to go through it one more time…”
Sure. One more time. And one more time after that, and one more time after that.
Eventually my crit partner, editor, and husband started to yell at me for dragging my feet and taking so damn long to publish. And I was getting frustrated with myself. I didn’t want to let go. I knew if I read the story just one more time, I’d find one more thing I could change. But on the other hand, if I never hit that publish button, no one was going to see what I’d spent years of my life creating by this point.
At the beginning of 2013, my dance troupe leader took me aside and shared the Oscar Wilde quote I have posted above—that “books are never finished, they are merely abandoned.” That sounded kind of sad at first; I didn’t want to abandon my book, but I did understand what Wilde meant. A writer’s craft can be like a living organism…always changing and growing. Since I’d drafted Social Skills two years prior to publication, I’d already seen how my writing voice had changed from initial revisions to later ones. And I knew it would change again, if I waited long enough. Each time I worked on my novel I could recreate it, if I chose to. So at some point, I was going to have to make the decision to “abandon” this current book and move on to the next one—either by shelving it or publishing it.
For me, that point came on January 21st, after one year of revising, ten beta readers, an editor, two final readers, and a big glass of Sorel (it’s liqueur made from hibiscus flowers, ’cause I don’t like wine).
Each author has to make their own decision about when to “abandon” their book to the readers. And it may be different for different novels, different times in people’s lives, and different author-personalities. I have another complete novel making its way towards release, and I honestly can’t say when I will hit that it’s time moment like I did with Social Skills. It probably won’t take quite as long, simply because I know more about the self-publishing process, but in a genre that is often criticized for a lack of proper editing, I’d never consider putting out a product I hadn’t revised and reread until it had driven me just a little bit nuts.
For my fellow self-pubbers: when do you make the decision to hit that publish button? After a certain number of betas? When the stars align? When you’re sure your manuscript is perfect? (If it’s that last one…wow. I wish I had your confidence!). Or are you still sitting there staring at your computer and wondering how to change the fourth sentence in the eleventh chapter to make it just right?
I’d love to hear your thoughts!
Music is the only form of communication Connor Owens controls. No matter how badly he wishes to fit in, friendly banter and casual conversations have never been his thing. College is yet another social universe he has no clue how to navigate—until he meets Jared, a football player with chestnut eyes and a cocky grin that holds the power to shatter his self-imposed prison.
Jared’s attention opens Connor up to a new realm of emotional and physical intimacy. But as Connor’s self-confidence grows, so does his fear that everything will fall apart. Because in this socially stratified world, how long can a relationship between an introverted violinist and a closeted football player really last?
Please leave a comment below to win an ebook copy of Social Skills. The giveaway will last until Midnight CDT on March 31st. I will choose the winner using Random.org and email the winner who will then have 48 hours from the time of the drawing to reply to my email. I will then forward the winner’s information to the author so the winner can receive their book.
Please enter the email you’d wish me to contact you at in the comment form, or if you prefer, leave it in the message.
Thank you and good luck!